During these three days, students will learn and practice all the basics of paper and fabric marbling. They will learn how to prepare metallic paint and create beautiful overmarbled paper/fabrics.
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Erin Fletcher: Envelope Binding
In this workshop, students will create three variations of the Envelope Binding structure. The first two will utilize handmade paper for the covers while showing solutions for binding a thin versus a thick text block. For the third model, students will explore Clara’s layering technique using dyed Tengucho and undyed Kozo tissues to create a more translucent and dynamic cover.
Continue ReadingJenn Woodward: Explorations in Hand Papermaking
Students will explore how to make pigmented paper pulp to create a full palette of colors, and how to use those wet fibers as a kind of paint. Students will learn the process for making both smooth and textured paper pulp, plus techniques for markmaking, creating shapes of color, building layered images, and retaining negative space within a composition. Students will create several wet pulp painting pieces that they will take away from the workshop to dry at home.
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